
The voice behind Top 10 UK Chart hit ‘Get Out My Head’ by Shane Codd (2020) and the first female vocalist to sign to Hospital Records in 2022 with her debut album King, SOLAH has remained on an upwards trajectory throughout her career - but never preferring the spotlight. Shortlisted in the Drum&BassArena Awards on numerous occasions and known for working closely with some of the genre’s most respected players (Critical Music, 1985 Music, XL Recordings, Shogun Audio, Drum&Bass Arena, Spearhead, DJ Marky, Enei, Break, Nu:Tone, Unglued, Hoax, Halogenix, Hugh Hardie, Makoto, Spectrasoul, Flava D), she has always been drawn to emotionally-charged and contemplative undercurrents, crafting lyrics and building worlds that resonate with listeners underneath the surface. Whether already attuned to SOLAH’s discography or discovering her artistry for the very first time, her latest offering is both a welcome venture into the dark and unfamiliar, and a deepening of what she already does so well - a significant statement of purpose from one of Hospital’s most sensational voices. Although jazz-tinged drum & bass has consistently been her MO, she remains tethered to the heartfelt essence of the SOLAH project on Forever, whilst flipping the narrative on its head - stressing that there are always two sides of the coin. SOLAH contains multitudes, and Forever is a celebration of numerous worlds existing in harmony.