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Benjamin Damage

Benjamin Damage

R&S Records
R&S Records
ARTS
ARTS
Figure
Figure
+1 more
122.4Klisteners
TechnoElectronica

About Benjamin Damage

Originally from Wales but generally based in Berlin (when he's not busy spinning DJ sets around the globe), Benjamin Damage is a techno artist with roots in several styles of '90s dance music, and an ear for what works on contemporary dancefloors. His tracks almost always feature driving, hypnotic beats as well as simple but expressive melodies. One of the key artists signed to Modeselektor's 50Weapons imprint, Damage released three full-lengths and several singles through the label, including 2012's They!Live (with Doc Daneeka) and 2015's Obsidian. Since the label's closure, Damage has continued releasing well-received material on labels like R&S and Figure. He first emerged in 2010 as half of duo Venom & Damage, releasing U.K. garage-influenced single "Deeper" on Doc Daneeka's Ten Thousand Yen label. Damage then became one of the first artists signed to Modeselektor's 50Weapons imprint, debuting with a white-label split 10" single with Humanleft. Following Antidote, an EP of pumped-up club tracks on Solva Records, Damage and Daneeka released the slow-burning "Creeper" single on 50Weapons. The track was a dancefloor hit, and set the stage for the pair's full-length They!Live, which appeared in early 2012. Featuring the duo's standard club tracks as well as more shadowy downtempo numbers featuring guest singer Abigail Wyles, the album was critically acclaimed, and Damage moved to Berlin shortly after. From then on, the majority of Damage's material was composed without Daneeka. Released in 2012, the club-focused "Swarm" was his debut solo single for 50Weapons, and Damage's debut solo full-length, Heliosphere, followed in early 2013. The album had much more of a spacy, atmospheric feel than his singles, owing a lot more to Detroit techno artists such as Robert Hood, who subsequently remixed the album's "Delirium Tremens." Damage closed out 2013 with an EP titled 4600, which was followed by Up/Acid Bath in 2014, at which point Damage had begun playing live concerts using an all-hardware setup. As the 50Weapons label wound to a close in 2015, Damage released its final full-length album, Obsidian, and performed several live dates as part of the label's grand finale tour. He also issued a split single with Truncate, and reunited with Daneeka for a track called "Kansas," released on a split single with Bicep. He then released two singles on legendary Belgian label R&S, Montreal (2017) and Malfunction (2018). He closed out the decade with the Overton Window EP on Figure, as well as the "Boss Rhythm" 12" on Feel My Bicep.

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Labels

R&S Records

R&S Records

TechnoElectronica
ARTS

ARTS

Techno
Figure

Figure

Techno
50 Weapons

50 Weapons

TechnoElectronica
R&S Records

R&S Records

TechnoElectronica
ARTS

ARTS

Techno
Figure

Figure

Techno
50 Weapons

50 Weapons

TechnoElectronica

Socials

Spotify122.4K listeners

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Discography

Spectrum cover art

Spectrum

EP2023
Algorithm cover art

Algorithm

EP2020
Deep Space Transit cover art

Deep Space Transit

EP2020
Overton Window EP cover art

Overton Window EP

EP2019
4600 EP cover art

4600 EP

EP2019
Swarm / Headache cover art

Swarm / Headache

EP2019
Up / Acid Bath cover art

Up / Acid Bath

EP2019
Malfunction cover art

Malfunction

EP2018
Montreal cover art

Montreal

EP2017
Battle / 86 cover art

Battle / 86

EP2015
Obsidian cover art

Obsidian

Album2015
010x - Truncate & SCNTST Remixes cover art

010x - Truncate & SCNTST Remixes

EP2013
Delirium Tremens (Robert Hood & Benjamin Damage Remixes) cover art

Delirium Tremens (Robert Hood & Benjamin Damage Remixes)

EP2013
Heliosphere cover art

Heliosphere

Album2013

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