
Discover 31 Electro record labels accepting demo drops. Browse their roster, check rankings, and submit your tracks.
Electro: the 808-driven, breakbeat Kraftwerk-to-Drexciya lineage, not "electronic music" in general.
Browse All Labelsgrowyour.music tracks 31 active Electro labels, of which 6 publish a demo contact and accept submissions. As of 23 September 2026.
Electro is one of the most enduring and influential genres in electronic music, built on 808 drum machines, syncopated breakbeats, and machine-funk basslines rather than the four-to-the-floor kick of house and techno. Born from the early 1980s fusion of Kraftwerk's robotic minimalism with hip-hop's break culture, and later reshaped by Detroit's Drexciya and Dopplereffekt into something colder and more sci-fi, electro has a dedicated global network of labels that champion the sound. The best electro music labels in this directory are ranked by real Beatport and Bandcamp chart performance: the imprints consistently releasing the records DJs actually play.
Electro A&Rs listen for the funk in the machine. The genre lives or dies on its drum programming: the swing of the 808, the placement of the snare, the space in the pattern. Basslines should be characterful and electro-specific, not borrowed from techno or bass house. Sound design tends toward the retro-futurist: analog synths, vocoders, cold pads, and Detroit-lineage atmospheres. Production must be clean and punchy, but electro rewards personality and machine-soul over the clinical polish prized in peak-time techno.
Electro is a scene as much as a genre, and the labels are curators with a strong aesthetic point of view. Before submitting, listen to a label's last 15 releases and place yourself on the map. Are you closer to the funky, breakdance-era electro of a Clone, the cold sci-fi of a Cultivated Electronics, or the raw Bass Agenda underground? Reference a specific release when you pitch. Generic "I make electronic music" messages get ignored fastest in a genre this self-aware.

US label
Murder Capital is a Dutch electro imprint and a sister label to Viewlexx, releasing since 1996. The catalogue is small and slow — around 40 records in thirty years — from Gesloten Cirkel, Novamen, DJ Stingray, Electronome and Ian Martin.

Electro-house and electro imprint with a deep catalogue of club and dirty-electro compilations — featuring artists such as DJ Sakin, Stereoliner and Sven Laakenstyk.

Nic Tasker's forward-thinking label

Klakson is an electro label started in Amsterdam in 2000 by Steffi, Dexter and Steven de Peven (Awanto 3). It grew out of their monthly electro night at Mazzo, and the first record, Dexter's "I Don't Care", was picked up by Dave Clarke for his World Service mix and put the label on the map. Klakson set itself against the serious, spaceship-and-cyberwar side of Dutch electro: quality tracks with a wink. Steffi paused it in 2010 when the music was not there, then relaunched it in 2015 with Dexter's "Troubles" EP. She runs it today alongside her second label, Dolly. The roster includes Dexter, Fastgraph, Mesak, 214, D_Roots, Late Night Approach, Duplex, Sepehr, Privacy and The Hacker. Distributed by Clone.

Bass Agenda Recordings grew out of Andy Barton's Bass Agenda radio show, which has been broadcasting underground electro and techno since 2012 and now airs monthly on Ireland's RTÉ 2FM. The label launched in 2013 with the double compilation The Fight Against the Mundane and has since passed 130 releases across vinyl, CD, digital and USB, distributed by Triple Vision. Dave Clarke has backed it from the first record — "a damn consistent label, solid quality, no hipster posturing, a music first outfit" — and the catalogue runs from Detroit originators (Anthony Rother, Detroit's Filthiest, Orlando Voorn) to a deep bench of contemporary electro: Dez Williams, Carl Finlow, Umwelt, Plant43, Scape One and The Subdermic.

Rhythmic blend of breaks and electro with melodic overtones. Propulsive, throbbing dance music from the lineage of Steel City Dance Discs.

Turbo Recordings was founded by Tiga in Montreal back in 1998.

International Chrome is the Berlin-based imprint founded in 2018 by Australian producers Jensen Interceptor and Assembler Code, with a brief they state plainly: the best electro-influenced, club-oriented party sounds from across the globe. In practice that means pummelling 808 rhythms, laser zaps and caustic synth basslines pulled from wherever they land — The Hacker and Volruptus alongside DJ Babatr's Venezuelan raptor house and the label's own International Chromies compilation series. Two sub-labels, DATA PLANET and International Chromies, extend the range, and Triple Vision handles vinyl.

Shipwrec is the Dutch vinyl label founded in 2010 by Ferdi Maks, built around one stubborn idea: limited runs of high-quality electronic music, each with its own handmade artwork. Resident Advisor made it label of the month in 2016, and the catalogue explains why — Dez Williams, Umwelt, The Exaltics, Ekman, DMX Krew, EDMX, Chris Moss Acid, Datassette and Drvg Cvltvre across a spread that reaches from hard Detroit-lineage electro to the melodic, IDM-leaning end of the Dutch scene. Records go out through Triple Vision and tend to disappear.

A signal from the void, a broadcast for lost souls navigating endless highways and shadowed cityscapes. E23 Records embraces electro, wave, EBM, acid and techno — familiar yet futuristic, a coded message to those who know. Inspired by Factory Records and Gerald Donald: DIY ethos, vinyl-first, every release a portal.

WeMe Records is a division of MeWe Le Disque.

Crème Organization has put out electro, acid and raw house from The Hague since DJ TLR started it in 2000. The catalogue is past 400 records — Legowelt, Ekman, Innershades, The Exaltics, Willie Burns — and the label also runs the Crème Classics, R-Zone and Jericho One imprints.

Dutch electro, techno and house label founded by Serge Verschuur aka Serge. Listed on some releases as Clone Music.
Electronix label from The Netherlands ran by I-F. The release with catalogue number V-021 is a record bag named "The Big Leather Viewlexx Record Bag".
Electronic music label located in Rotterdam, The Netherlands. Founded by Wilco Klen van Bennekom (Klen)

Berlin based record label, promoter and collective, driven by passion for the connection between humans, mechanics and electronics.

German label from the town Jena, founded in 2006 by Nico Jagiella and Robert Witschakowski.
Independent record label based in Madrid, run by "Pervert".

Electronic music label based in London, UK.

Label created by Anil Lal (spa5tik0lonz) and graphic designer/artist Majkel. The majority of Furthur Electronix releases will be distributed through

Pinkman is a record label founded in 2013 by Marsman.

Irish label based in Dublin, founded in 2008.

Hamburg-based record label, started by Helena Hauff. Distributed by Juno.

Offshoot label of Pinkman Records, based in the Charlois district of Rotterdam

Record label based in San Francisco (California, USA) specialising in out of print, unreleased and contemporary underground music. Founded in 2009.

Electronic music label based in Amsterdam, The Netherlands, started in 1996 by Peel Seamus.

Electro label established in 1998 in Vienna, Austria.

Cultivated Electronics is the London electro label headed by Sync 24 (Phil Bolland), running since 2007 on a simple brief: high-quality electro-influenced dance music with a dark and twisted edge. Across nearly two decades it has become one of the genre's reference imprints — Resident Advisor reviews of Assembler Code, Animistic Beliefs, Silicon Scally, The Exaltics, 214 and Maelstrom sit alongside the label's own For The Floor split-12" series and the From The Dark compilations. Vinyl-first, cold and machine-led, and consistently the record a DJ reaches for when the set needs to turn sinister.
Set up in 1992 by three white and Eurasian middle-class nerd punks who had just moved into the squat zone of central The Hague from the suburban newtowns of Zoetermeer and Alphen a/d Rijn (where Rude 66 also hails from).

Central Processing Unit — universally shortened to CPU Records — is the Sheffield label that has done more than any other to carry the city's Bleep lineage into contemporary electro. Founded in 2012 by Chris Smith (CPSmith) and distributed by Kudos, it releases on a self-imposed 8-digit binary catalogue system that caps the label at 256 records for its entire life, and it has spent that budget on the definitive modern electro roster: Cygnus, Silicon Scally, Plant43, DMX Krew, NULLPTR, 96 Back, Blackploid, Maelstrom, Annie Hall and Bochum Welt. Most releases are mastered at Smith's Computer Club studio in Sheffield, and the label has extended into hardware with the CPU Filter Eurorack module.
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The imprints that carry contemporary electro are Central Processing Unit (CPU Records) in Sheffield, Cultivated Electronics in London, Bass Agenda Recordings, the Dutch vinyl label Shipwrec, Berlin's International Chrome, and Clone with its Aqualung and West Coast sub-labels. Each has a distinct take: CPU runs the Sheffield Bleep lineage into machine funk, Cultivated Electronics goes dark and twisted, International Chrome takes the club route, Shipwrec presses limited vinyl with handmade artwork. Demo policies differ label by label: CPU takes submissions directly, while others open and close their door by release cycle. Every electro label in our directory shows its current demo status on its profile, and the ones you can submit to through growyour.music come with guaranteed written feedback within 7 days on your drum programming, sound design, and marketability.
"Electronic music" is the umbrella term for all synthesiser- and computer-based music: house, techno, drum and bass, and dozens of other genres. "Electro" is one specific genre within it: 808-driven, breakbeat-based machine funk, usually around 125–135 BPM, with syncopated (not four-to-the-floor) drums and a Kraftwerk-to-Drexciya lineage. When A&Rs and DJs say electro they mean this specific sound, not electronic music in general.
Most electro sits between 125 and 135 BPM, though it ranges from slower, funkier 118–124 BPM breakdance electro to faster, harder electro at 140+. Arrange for DJ use with a clean intro and outro, keep the arrangement tight (electro tracks are often shorter and more direct than techno), and make sure the drum pattern carries the track. In electro the groove is the hook. Match your tempo and energy to the specific label's recent output before submitting.
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