
Discover 32 Garage record labels accepting demo drops. Browse their roster, check rankings, and submit your tracks.
Browse All Labelsgrowyour.music tracks 32 active Garage labels, of which 15 publish a demo contact and accept submissions. As of 27 September 2026.
Garage covers the UK garage lineage and its American house-garage ancestry: the swung, shuffled, sub-heavy strand of dance music that produced 2-step, speed garage, bassline and the modern UKG revival. It runs from the New York and New Jersey roots of Todd Terry and Masters At Work through the London pirate-radio era to today's revival on labels like Shall Not Fade, Night Bass and Warehouse Project Records. 28 active garage labels sit in this directory, and the sound sits at 130–138 BPM with the swing that defines it.
Garage lives entirely in the shuffle. Straight, quantised drums do not read as garage no matter what tempo you run them at. The swing on the hats and the placement of the syncopated kick and snare is the genre, and A&Rs hear it or they do not within eight bars. Below that, the sub-bass has to be clean and weighty enough to survive a big system while leaving room for the vocal chop that usually carries the track. Vocals are near-universal, whether a full topline, a pitched-up chop or a garage-classic sample, and clearing them matters. Arrangements are shorter and more song-shaped than house: 4 to 6 minutes is normal.
Get the swing percentage right before you worry about anything else, and reference the era you are working in when you pitch. 2-step, speed garage, bassline and the modern revival sound different enough that labels specialise. Because much of this scene is UK-based and community-driven, a specific pitch that names a recent catalog release lands far better than a broad one. If your track uses a recognisable garage-era vocal, say where it came from up front; an uncleared classic is the most common reason a garage signing quietly dies.
#2Focuses on bass house, UK Garage, Bassline, Grime, House & everything good in-between.

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[Jump Beat Records]] [Jump Beat Records] Close ! [Jump Beat Records] [Audio visualization for Wordpress] LATEST RELEASES ! [] LATEST NEWS [DJ & Music Producer] [The Latest] [Jump Beat Records Welcomes Frank Amodo] [3 Replies] Meet Frank Amodo, a musical producer with a versatile style and a visionary artist.

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Masters At Work is the New York house production duo of "Little" Louie Vega and Kenny "Dope" Gonzalez, working together since 1990. Pioneers of Latin house, garage house and soulful house, the pair built a catalogue of genre-defining originals and remixes — across their own MAW Records, Dopewax and Vega Records imprints and the celebrated Nuyorican Soul project. Their sound fuses deep house, salsa, jazz and disco into the blueprint for New York dance music.

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A record label and music publishing company with a history of 40+ years in the dance music industry focusing exclusively on soulful, vocal house.


French Jazz label founded in 1937 by Hugues Panassié and Charles Delaunay. Label Code: LC 0362 / LC 00362 Also appears as "Swing Records" or "Disques Swing". Not to be confused with the label . The first label in the world entirely devoted to jazz recordings. recorded, pressed and distributed the records, with Delaunay (who designed the logo) and Panassié choosing the musicians and orchestras and directing the recordings. During the occupation, Swing released many records of French musicians playing American standards renamed to French to avoid censorship. After the Second World War, the brand again began publishing American artists, with American jazz in the spotlight. From 1951, Charles Delaunay entrusted the brand to , of which he was co-founder (along with ). In 1982 acquired the rights to use the brand on their label, and the catalogue fell under the control of in 1992 after it bought . The following catalogue numbers were not issued: SW.256 SW.257 SW.369

House label established in 2005 by George Bageya. Bobbi & Steve and Michael Hughes (14) have run the label since 2008. Label manager: Alexandre Marchesson aka Hallex.M.

British label founded & run by Oli Lazarus from Reel People.

Defunct label founded by Pete Tong that ran from 1998 to 2000.

Home of the digital side of Plastik People Recordings

about Foliage Records London, UK In 2008, Foliage Records entered life with a simple, beautiful purpose – to nurture deep, free-spirited, life-enhancing dance music. It’s all about authenticity; about creating movement, and emotion through thoughtful percussive and melodic shifts, real instrumentation, and outstanding production. ...

Independent label founded by DJ Disciple.

INHOUSE is the New York house label Todd Terry owns and runs — the imprint behind three decades of his productions and a home for House of Gypsies, Roland Clark, Black Riot, Martha Wash, CLS, Ant LaRock, Shawnee Taylor, Brian Cid, Gypsymen, Jocelyn Brown, the Todd Terry Project, Astrid Suryanto, the Todd Terry All Stars and Kelly Sajda. Distributed by Downtown 161 in its vinyl era, with European pressings via Sound Design, it is still releasing — more than sixty pages deep on Traxsource — with sister imprints Freeze Records, SoundDesign Records and Terminator Records alongside it.

Shall Not Fade

Multi-genre UK label blending house, garage, amapiano, and indie vocals. Genre-fluid and always evolving.

King Street Sounds is a New York house label founded in 1993 by Hisa Ishioka, named for his earlier BPM imprint and the Paradise Garage — the King Street club that birthed the city's soulful house movement. It has stayed rooted in house while pushing into Afro, Latin, jazz and tech-infused records, with releases from Blaze, Barbara Tucker, Ultra Naté, Kerri Chandler and Dennis Ferrer.


Electronic music label established in 2024 by the team behind Manchester's Warehouse Project (WHP) — the long-running club institution started in 2006 by Richard McGinnis and Sam Kandel. Launched with Bakey's 'Wouldn't Believe' (WHPR-01), the label spans house, UK garage, bass and techno from WHP's resident and guest roster.

Smiley Fingers is an independent record label based in London that releases music ranging from techno to house with powerful grooves and melodic structures.
#38
UK dance label spanning bass house, tech house and UK garage / bassline. Home to early Emily Nash cuts including 'Shut Up' and 'Get Low'.


Established in 2015, Southpoint originated as a platform for local talent in Brighton. Co-founded by Josh Gunston and Jay McDougall (KXVU), it has grown into a powerhouse in the UK's underground scene, specialising in bass and garage.


Founded by Fred Everything, Mike Fresco


UK label focused on 2-step, UK garage, and speed garage releases. Skippy rhythms, chopped vocals, and South London bass weight.


HIJINXX is a record label created by Nia Archives, who champions the DIY spirit. The label operates with members including Cellienne, Uju, Virgo (leader), Jess, and Becca.
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Shall Not Fade, Night Bass, Warehouse Project Records, King Street Sounds, Garage Heaven, Lazy Days Recordings, La Folia Recordings and Stopstart Records all accept demos through the growyour.music directory, among 28 active garage labels. Several of the historic imprints listed here (Todd Terry's Inhouse, Masters At Work Records, Swing City) are catalog entries for research rather than open submission channels, which is why the directory marks the difference on each card.
UK garage generally runs at 130–138 BPM, with 2-step sitting around 132–136 and speed garage and bassline pushing toward 135–140. The tempo alone is not what makes it garage, though. The swing is. A 135 BPM track with straight hats is a house or bass record at garage tempo, and it will be heard that way. Set your shuffle before you set your BPM.
Rhythm and lineage. House is four-to-the-floor at 120–128 BPM with an even hat pattern. UK garage descends from American garage house but broke the kick pattern apart: 2-step drops the third and fourth kicks entirely, leaving a syncopated, shuffled groove at 130–138 BPM over a heavy sub-bass. Garage also uses vocals far more aggressively, chopping and pitching them as rhythmic elements rather than laying them over the top.
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