
Discover 23 Bass record labels accepting demo drops. Browse their roster, check rankings, and submit your tracks.
Browse All Labelsgrowyour.music tracks 23 active Bass labels, of which 18 publish a demo contact and accept submissions. As of 27 September 2026.
This is a family hub rather than a single genre: bass covers the cluster of subgenres the directory stores as Bass House, Bass Music, UK Bass and Future Bass, and the 23 active labels here split roughly three ways. The US bass house circuit (Night Bass, Box Of Cats, Space Yacht, NIGHTMODE, IN / ROTATION, Late Checkout) makes hard, percussive, house-tempo club records. The UK bass lineage (Numbers, Hemlock Recordings, Rinse, Black Butter Records, Food Music) descends from garage, grime and dubstep and is looser about tempo entirely. And the melodic future bass end sits with bitbird and Moshbit Records. They share a shelf because DJs play them together, not because they sound alike.
What every strand here has in common is that the bass is the hook, not the accompaniment, so the thing being judged is whether your low end has a personality. In bass house that means a lead with rhythmic bite that works as a percussion part, a kick that punches through it cleanly, and a drop that arrives fast. In UK bass it means swing, syncopation and sound-system weight, with far more tolerance for odd tempos and unresolved arrangements. In future bass it means the opposite instinct: lush, detuned supersaws, pitched vocal chops and an emotional lift. What no strand tolerates is a muddy sub or a drop that lands without the arrangement having earned it.
Name the strand in your pitch, because the hub tag will not do it for you. "Bass" tells an A&R nothing: "a 128 BPM bass house record in the Night Bass lane" or "a 140 UK bass roller" tells them whether to keep listening. Check tempo against the label's last few releases before you send: this is the one hub in the directory where the right record at the wrong tempo is a genuinely common rejection, because the strands sit at 126–130, 130–145 and 140–160 respectively and the labels rarely cross over.
#2Focuses on bass house, UK Garage, Bassline, Grime, House & everything good in-between.

Bass house and electronic music label.

Steve Aoki's independent record label founded in 1996.

Bass house label.

Bass house and electronic music label.

Evolved from Space Yacht event series. High-energy, genre-blending tracks spanning house, techno, bass.

Subsidiary of Three Six Zero Group. Diverse roster across house, techno, bass-driven music.
#98IN / ROTATION is Insomniac’s house and bass-house imprint, launched in 2017 by Insomniac founder Pasquale Rotella as an offshoot of Insomniac Records to give up-and-coming producers a platform next to established names. Its first release was Dombresky’s “Technikal”; the catalogue since runs through Wenzday, SIDEPIECE, Westend, J. Worra and Jude & Frank, alongside the recurring ROTATE various-artists compilations. Part of Insomniac Music Group in Los Angeles.

Record Label & Booking agency based in Austria.

Bitbird

UK clubland label pushing the next sound of bass house and speed garage. Proud of its UK roots, Stress Records released a string of early Emily Nash records.

STEREOHYPE is the London-based record label founded by English DJ and producer James Hype. Launched in 2019 under the mantra "Moving Differently," it's a home for high-energy tech house, bass house and club-ready house — releasing James Hype's own singles alongside records from Tita Lau, R3WIRE, Adapter, Martin Ikin, DJ S.K.T, Josh Samuel and more. The label's "Clubworld" compilation series showcases its roster, and it accepts demos through LabelRadar.

UK label originally set up by David Balfe. ** For company credits see label: Food Ltd.. ** For counterfeit / unofficial releases, see label: .

UK-based dance music record label

UK dance label spanning bass house, tech house and UK garage / bassline. Home to early Emily Nash cuts including 'Shut Up' and 'Get Low'.

Sleeping Is Cheating is a record label focused on House and UK Bass music. The label is based in the United Kingdom.

Rinse is at the centre of a vast musical community. As genres, artists and scenes evolve and fragment, so Rinse remains locked to the pulse of the underground. Inspiring and nurturing people to create the music that they want to hear, the results speak for themselves. Label since 2006. Radio since 1994.

Untold's influential bass music label

Glasgow collective and label

Eclectic independent label blending tech house, bass house, breakbeat, and Latin-influenced electronics into a high-energy cocktail built for the club.

Experimental label releasing forward-thinking electronic music across genres. UK bass, electronica, and sounds that defy easy categorization.

Black Butter Records is a UK record label specializing in UK Bass and House music.

Established in 2015, Southpoint originated as a platform for local talent in Brighton. Co-founded by Josh Gunston and Jay McDougall (KXVU), it has grown into a powerhouse in the UK's underground scene, specialising in bass and garage.
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Night Bass, Box Of Cats, Space Yacht, NIGHTMODE, IN / ROTATION, Late Checkout, Dim Mak Records, bitbird, Moshbit Records, Numbers, Hemlock Recordings, Rinse, Black Butter Records, Food Music, Three Six Zero Recordings, Sleeping Is Cheating and STEREOHYPE all accept demos through the growyour.music directory: 19 of the 23 active labels on this hub are open to submissions. Hessle Audio, Southpoint, Stress Records and Finite Sound are listed for research and have no open submission channel with us. Submitting through growyour.music guarantees written feedback within 7 days.
The hub collects everything the directory tags as Bass House, Bass Music, UK Bass or Future Bass, because those are the tags the labels themselves use and they are genuinely adjacent in DJ sets. Bass house is house-tempo and percussive; UK bass is the garage-and-grime-descended British lineage that moves between 130 and 160; future bass is melodic, detuned and built around vocal chops. Drum and bass, dubstep and UK garage each have their own hub and are deliberately not folded in here.
Bass house sits at 126–130 BPM, with 128 as the default. It is house tempo with a bass-music drop, and that constraint is what separates it from dubstep or drum and bass. UK bass is far looser, typically 130–145. Future bass usually lands at 140–150 written, though it is felt at half time. Match the label's recent catalog rather than the genre average: a 128 record sent to a UK bass imprint is the mismatch A&Rs on this hub see most often.
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