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Invisible Minds

DJ & Producer · House · Dubstep
Updated May 15, 2026
4,238+1% (90d)
Spotify followers
Spotify · 2026-09-12

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Biography

Invisible Minds is a London based solo songwriter, musician and producer. When a sun-drenched swirl of child-like vocals, drum breaks and bright guitar jangles called ‘Yo Mae Leh’ hit the internet in late 2017, rocketing to half a million Spotify streams, no one knew it was the work of Tim Green, the UK dance innovator who’s pulsing rhythms and abyss-like synth murmurs have been making house and techno scene venue walls quake since 2008. Shining a light on a more melodic side to his musical personality, that track – and the others that sit alongside it on his effervescent debut album as Invisible Minds – are “honest and innocent and kinda searching for a feeling” as Green himself puts it. Next came ‘The Cut Girl’ which winds things down by swapping the gamelan kaleidoscope heard on their debut for an exploration of down-temp xylophone revelation, with Hobbs vocals trickling over the melodies, recalling a painful encounter with an ex-lover. 905 Users! is the latest track to be released from Invisible Minds - a MPC hip hop influenced track from the much anticipated upcoming album ‘Make Up Your Own Stories’, set to be released in October 2018. For music and more: https://linktr.ee/invisiblemindsofficial

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Invisible Minds is a London based solo songwriter, musician and producer.

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Invisible Minds is a London based solo songwriter, musician and producer. When a sun-drenched swirl of child-like vocals, drum breaks and bright guitar jangles called ‘Yo Mae Leh’ hit the internet in late 2017, rocketing to half a million Spotify streams, no one knew it was the work of Tim Green, the UK dance innovator who’s pulsing rhythms and abyss-like synth murmurs have been making house and techno scene venue walls quake since 2008. Shining a light on a more melodic side to his musical personality, that track – and the others that sit alongside it on his effervescent debut album as Invisible Minds – are “honest and innocent and kinda searching for a feeling” as Green himself puts it. Next came ‘The Cut Girl’ which winds things down by swapping the gamelan kaleidoscope heard on their debut for an exploration of down-temp xylophone revelation, with Hobbs vocals trickling over…

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